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・ Claude Préfontaine
・ Claude Puel
・ Claude Pujade-Renaud
・ Claude Pélieu
・ Claude Péloquin
・ Claude Péri
・ Claude Quenneville
・ Claude Quittet
・ Claude R. Canizares
・ Claude R. Kirk, Jr.
・ Claude R. Lakey
・ Claude R. McGaughey III
・ Claude R. Porter
・ Claude R. Wickard
・ Claude Raffestin
Claude Raguet Hirst
・ Claude Rains
・ Claude Rajotte
・ Claude Ramey
・ Claude Raymond (baseball)
・ Claude Reeds
・ Claude Reignier Conder
・ Claude Reiter
・ Claude Renoir
・ Claude Ribbe
・ Claude Rich
・ Claude Richardson
・ Claude Riche
・ Claude Richmond
・ Claude Rifat


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Claude Raguet Hirst : ウィキペディア英語版
Claude Raguet Hirst

Claude Raguet Hirst (born Claudine, 1855–1942) was an American painter of still lifes. She was the only woman of her era to gain acclaim using the ''trompe-l'œil'' ("fool the eye") technique.
==Early life and education==
Claudine was born in Cincinnati, Ohio in November 1855, the eldest of two daughters of Juliet and Percy Hirst. She counted Pennsylvania Congressman Henry Wynkoop among her ancestors. When she was seven, the family moved to Clifton, a wealthy suburb with a burgeoning artist community. In a 1940 interview with the ''Villager'', Hirst recalled starting painting lessons at the age of ten and attending dance school alongside a young William Howard Taft. By the time she was 14, she was enrolled at the Mount Auburn Young Ladies Institute. The 1872 Cincinnati Industrial Exposition included three of her early works.
In 1874, Hirst enrolled in the McMicken School of Drawing and Design where she took classes in three-dimensional drawing and wood carving. Her works were exhibited in the Women's Pavilion of the 1876 Centennial Exposition in Philadelphia. She left the School of Design in 1878 and taught wood carving. She was one of the artists who carved the elaborate Cincinnati Organ Screen for the Music Hall's organ. Beginning in the 1870s, she truncated her name to "Claude", possibly to avoid the sexism that stymied many women artists of the era.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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